![]() Blessed girl, Clara decides she will trap Max's suspect herself and invites him over. "No one throws me out." Mendel responds, "Well, then, this has been a new experience for you."Ĭlara asks Max to tell her more about the case, and he admits he thinks the killer is Hafner. Meanwhile, Mendel breaks their contract, much to von Triebenbach's shock. Haussmann turns up a photograph of von Triebenbach with a group of nationalist soldiers standing in front of a shield with the rune on it. Von Triebenbach is the only link to the Brotherhood, so Reinhardt and Max confront him with their evidence. But at least Max is (finally!) letting her see his work. Each murder is re-enacting The Magic Flute, scene by scene. He drags Clara out of the theater and over to Reinhardt's, where he spells out his realization. If that's not bad enough, the opera's plot gives Max PTSD flashbacks to the case. She's so pissed they're nearly late for curtain, she doesn't tell him about Hafner's visit. As thrilled as he is to keep working on the case, the body makes Max late to pick Clara up for The Magic Flute. (Credit: Courtesy of Petro Domenigg / © 2019 Endor Productions / MR Film)Īnd then a third body turns up in the sewers with the Brotherhood rune symbol painted on the wall. Reinhardt has to break it to Strasser that every single immigrant in the city should now be considered in danger. Max may be insufferable, but his family is good people. Mendel decides he cannot accept the investment, telling his wife that the finer things she'd hoped for must wait. Moreover, he has to break it to his father von Triebenbach's nationalism is not something he stumbled across but a deeply held belief. Not only does Clara now have a new suitor (Hafner showing up at her house with flowers), but Professor Gruner bins his work with Herr Bieber, and takes the case away from him, electrocuting the patient. He's not impressed with Max when he hears the Jewish last name, but he's all over Clara. Hafner says he's just here for the champaign, his uncle, Gustav von Triebenbach (Mendel's investor from last week), is the real art-lover. Max gravitates towards one of the soldiers, Ruprecht Hafner ( Laurence Rupp). Once she sees the Inspector, Clara realizes this is no date and walks off. But the artist in question turns out to be Olbricht, who begs Max to "keep a muzzle" on Reinhardt. She believes it's to see a lovely art opening. That's going to make it awkward when we have to choose a dance partner. She also wishes him a pointed "Good luck" with his engagement to Clara.Ĭlara: I didn't realize there were three of us. ![]() But she is no fool and tells him point-blank they should not see each other again. This week's episode opens with Max attempting a date with Amelia Lydgate, insisting he's just thanking her for helping them on the case. His victims so far are prostitutes, women of color, and immigrants. He's a soldier, a nationalist, who is either part of or inspired by the Brotherhood of Primal Fire. They have some clues as to who it is already. Last week's Vienna Bloodended on the revelation that Reinhardt and Max are chasing a serial killer.
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